Savile Row-inspired menswear.
For jackets and trousers there are three key cuts that will becontinued into future collections.
Tailoring is softened up with billowing silk poet blouses, and form-fitting pencil skirts and corset tops reflect his high-octane Gucci days.
There are plenty of wonderfully glamorous dresses too; the fringed electric-blue dress worn by Elson or the pale pink, feather-embroidered column worn by Moore, who says she feels 'thrilled and delighted' by the designer's return to fashion.
'He is never going to let you look bad.
' Every piece feels opulent.
There are trenches in white suede, and jackets in mother-of-pearl discs or shredded tulle - Ford's version of a summer fur.
Accessories include sleek clutches louis vuitton replica precious skins, hammered gold cuffs or gold feather earrings, and elegant feather-covered cloches and felt fedoras.
Everything is intentionally timeless.
'I'd like to think you are going to keep wearing them as though they are your own vintage collection; that one day your daughter will go to your closet and say, "Oh.
My.
God.
Mom, what is this? I want that! Can I have that? "' says Ford, mimicking a fashion-crazed teen.
The show's breathtaking casting, for which models ranged in age from their early twenties to almost 70, also made it very clear that these were clothes for women of all different ages.
Despite his own age-defying good looks, the current obsession with louis vuitton Rolling Luggage is not something that sits well with Ford.
'There used to be a look for women who were older.
You didn't wear certain things, you did your hair a certain way - but today, 70-year-old women who keep themselves together want to look just like their 25 [year-old] counterparts, ' he says.
'I was shooting something recently and I was trying to find older women who had not had anything done to themselves, and I was thinking back to Louise Nevelson and Georgia O'Keefe and Martha Graham and Diana Vreeland, and these women who bore their age in a wonderful way.
They became older, they became wrinkled but they also became really cool looking, Louis Vuitton Monogram Canvas we don't have that anymore.
' So Ford is championing a roll-call of real women who can carry that torch, women who, he says, have been on his design board season after season since his very first days at Gucci.
For his show, he enlisted Marisa Berenson, whom he has known since he accosted her late at night at a Vanity Fair party more than a decade ago; Lauren Bacall, who is a neighbour in Santa Fe; and artists Lisa Eisner and Rachel Feinstein, who are both good friends.
'All these women are intelligent; they all have kids and jobs and lives, and they are all different ages.
I went after people I thought.
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